Відео

Thanks!!

Guston did some truly great art in his earlier life but his last years were very weak.

Can we just get to talking about Anni Albers' work and skip the victimhood narrative? The latter has become so habitual in presenting female artists that it's losing impact. And Albers' work had little to do with her gender specifically. Contrary to the popular notion of weaving being women's work, there were numerous 20thC male weavers interested in the same visual problems Albers was consumed by.

Austin!

Priceless to hear this artist discussing his work and the evolution of modern art.

What a fantastic gentleman. So long, Frank Stella.

Extraordinary exhibit, interesting conversation.

Thank you, as always, for sharing this exhibit and the curator's insights. I regret not seeing this show when it was in New York.

Quite educating... Am sharing with my students

Wow ❤❤❤❤

Osinachukwu indeed. Amazing debut. Keep winning 🤜🏿.

Chirinzy 🎉🎉🎉❤❤❤❤

You did a good job as a debutant. Keep going!🎉

🎉🎉🎉😊

A very educating session. 💯👏🏼

SELAMAT PAGI KAKAK YANG DI SINI SEMUA SEHAT SELALU SANGATMENARIK LUKISAN SAYA BERNAMA RUDIN NURYASARI YANG TELAH TERAMPAS BENDACORONA SAYA. OLEH PT TKW RIJOCE DAN HARUS DI HUKUM DENDA SERTA KALANGAN LAIN YANG IKUT BERSANGKUTAN AGEN TKW HK PENGKIANAT JUGA MEMBONGKAR KOPERSAYA SAYA SENGAJA MEMBONKAR PARA MALINGNYA KARENA ITU BENDA CORONA BERTRILION PUN TAK DAPAT DIBELI BILA EMAS MANAPUN ADABELI MAKA MISKINKAN KEMBALI KENAPA LAKUKANPENCURIAN DANPERAMPASAN TERIMAKASIH🙏🙏🙏

Wonderful description of Richard Diebenkorn as a person and painter. I studied under one of his students Bruce MaGaw at SFAI in the middle late seventies. Bruce (as a student) showed in that first group show by that first group of painters. Now known as the Bay Area Abstract Figurative Expressionist. I am very familiar with that style of painting and it’s process. Again this curator is spot on! Wonderful.

All artist are misunderstood always will be they have pieces of things in them. A collection of the worlds collective transgressions; horrors, blessings amid a quandary of hopes. The collective unconscious reveals itself in everything artist do. Knowing this gives others a better understanding of their creations.

A very,very special experience.

I love your Museum !!!! Love, love , love !

Wow love the art work! So interesting to hear her talk about her creative process.

Most modern art substitutes weird for quality, narrow isms for scope, and trendy for depth. It also refuses to change or even talk about progressive ideas in art like those that follow Too many treat art as a marketing scheme. Modern art has become a trendy clique and the art now is mostly over promoted footnotes to greater art that was done 100 years ago. But art is too important to be reduced to a trendy clique. Post-ism, is art for a new century, not a continuation of last century trends. 1 Mass Market Paintings like Prints. When any art form is mass marketed it enters a golden age. This has happened with books, records, and film. Let's add paintings. Most art is in storage in museum basements. Mass Marketing allows art to tour in copies and allows artists to make royalties on copies. Why do you think the world gets so excited about a new great book, record, or film; but no one cares about a new great painting? All are mass produced except the painting. 2. End a Century of Isms. Dump the genres and formulas and let all kinds of art be a part of the art world. 3. Shift Emphasis From Trendy to Quality. Shift emphasis from the latest trendy art, to quality art in any style. Just because art is weird does not mean it is great art. 4. Free the Art From Museums and Galleries. Get the art out of the ivory elitist museum and gallery towers and back into the world. Have city art centers open to all artists. Make art that is relevant and communicates with people. Start with the first generation of artists online. 5. Postism is Part of a Bigger Revolution. Postism is part of the bigger art and media revolution out of Dallas, that includes art, music, lit, film, media, and a lot more. 6. Postism online: Online artists are the new wave of art. We had all the isms of last century. Now we have a free for all, of all kinds of artists, that are not sanctioned by any museum or gallery, displaying their work. Out of that comes the next wave and revolution of artists. Last century the goal was to fit the ism. This century the goal is to do great art - no ism, no boundaries. Fractionalized art then, synchronized art now. Even calling something modern art is a type of ism that separates that art from the art of the past. The 20th century was a century of experimentation in art. Now in the 21st we can choose from all those styles and / or start one of our own. Then too if someone devises a way to charge and collect a penny per view on a webpage, that would allow any great artist to get money for their art and have a career without any middlemen. Duchamp broke ground 100 years ago - but now his clones are just shoveling dirt. Weird art is easy, you put a strip of raw bacon across an expensive violin, but it's not good art. Join the art revolution and pull the art world out of last century. Musea since 1992.

🎉Amazing 🎉

I really enjoyed the commentary (though the handwaving was distracting). I've always liked Diebenkorn, but the Ocean Park series was my least favorite. It seemed to me a bit sterile and cerebral. Seeing it as a record of his painting process rather than just an end product helps me understand it much better.

Whitten was a true genius. His paintings as well as his sculptures were amazing!

Even in this day and age, (or at least maybe twenty- thirty years ago) painting out in the field alone as a female painter, guys could give you a hard time. It was often useful to have a thick skin and strong survival instinct. Traveling around the world alone gave me an opportunity to hone those skills as being an artist is often a state of mind frequently questioned by those who try to intimidate creative people at work. Morisot was great at handling skin tones in such an effortless way! Her work never looks contrived or labored, although it’s clear much thought went into her compositions, they always look light as air. So clear and refreshing.

Images of wokeness 😅

Hi I found a painting in a thrift store and it’s signed Rico it looks very realistic but I’m not sure, what is the chances for it to be real thank you

Can't believe this excellent conversation on Niki de Saint Phalle's body of work has so few views! Even though I can't make it to the Menil in Houston, I got so much good information from this video interview. Thank you so much for sharing on YT!!

El pensamiento no es la solución que nos conduzca a la obra de arte, sino la conciencia de hacerlo.

Kissinger????

Ich mag einige seiner Bilder, aber was er über gegenständliche Malerei sagt gehört zum Geistlosesten was ich in diesem Zusammenhang je gehört habe. Nein, der gegenständliche Maler malt nicht einfach Fotos ab. Dieser Art von Malerei liegt eine lebenslange Schulung der Wahrnehmung und Präsenz in der wahrnehmbaren Welt zugrunde. Bechtles Bilder sind nicht deshalb gut, weil Bechtle technisch gut Fotos abmalen kann. Wyeths Bilder sind nicht deshalb gut, weil er so feine Pinsel hat, dass er einzelne Grashalme malen kann. Besser als Richter geht nicht, man kann dem nichts hinzufügen? Was für eine unsägliche Gedankenlosigkeit, so daherzureden, eines Malers unwürdig. Gehen Sie in sich, großer Meister, schauen Sie erstmal genau hin, bevor Sie ein Urteil abgeben.

I LIKE & LOVE PRINCESS SHIVRANJANI RAJYE TOO MUCH BY HEART

💝

Excellent interview

The most effervescent curator I've ever seen 🎉. Very interesting, juxtaposing the work of Robert Frank and Todd Webb.

I haven't seen many Bonnard pictures in real life--this video deepened my appreciation of him, especially the painting on the wall during their interview.

" Pierre Bonnard " you were not forthcoming on the full name !

Thank you! Wonderful

"Never be in The Family Business if it's not your family." Glenn O'Brien

More identity politics

Saw the exhibition last week, it was lovely!

Stop committing so much crime and there wouldnt be so much raycism...

Who's he's amazing. Love his work.!!! I used to go to school with him. I feel privileged

Hi

Meno chiacchiere, più opere da da vedere.

a white woman commenting on where a dead black person stands within their community is insane.

I remember in the mid sixties going on a field trip from my elementary school, good old Ridglea West, to Amon Carter to see an exhibition of Picasso's work. I liked it better when they had the Remingtons and Russells.

I remember this exhibit well. It was an overwhelming experience, especially as I was not familiar with Ms. Barlow's work. We have suffered a real loss with her death.

Don't believe anybody has commented unless I am a hoping Navajo Apache descendant child and my parents and I will tell you this mural in their art definitely speaks out not only visually through her veins in her blood yatahey